Mera Joota Hai Japani Perfect Guitar Chords 00

Mera Joota Hai Japani Guitar Chords
Mera Joota Hai Japani Guitar Chords
Mera Joota Hai Japani Guitar Chords

Song: Mera Joota Hai Japani
Movie: Shree 420
Singer: Mukesh
Language: Hindi

Capo on 2nd Fret

Mera Joota Hai japani
Yeh pa tloon englishtani
Sar pe laal topi rusi
phir bhi dil hai hindus tani
Mera Juta Hai japani

Nikal pade hai khulli sa dak par
apna seena taane ae
apna seena taane
Manzil kaha hai kahan ruk na hai
upar wala jaane ae
upar wala jaane

Badte jaaye hum sailani
jaise ek dareeya toofani
Sar pe laal topi rusi
phir bhi dil hai hindus tani
Mera Juta Hai japani …

Upar niche niche upar
leher cha le ji van ki ei
leher cha le ji van ki
Nadan hai jo baith ki nare
puchhe raah va tan ki ei
puchhe raah va tan ki

Chalana jivan ki kahani
rukna maut ki niushani
Sar pe laal topi rusi
phir bhi dil hai hindus tani
Mera Juta Hai japani…

Mera Joota Hai Japani Song Details:

“Mera Joota Hai Japani” is a classic Hindi song from the Bollywood film “Shree 420.” The film was released in 1955 and was directed by Raj Kapoor. The song was composed by Shankar-Jaikishan, with lyrics by Shailendra. It was sung by the legendary Indian playback singer Mukesh.

The song is a playful and catchy tune that features the lead actor Raj Kapoor, who plays the role of a country boy named Raju. The music video of the song was shot in the streets of Mumbai and features Raju dancing and singing along to the song, while showing off his stylish Japanese shoes.

The song’s music is characterized by its peppy and upbeat melody, with Mukesh’s powerful voice adding a touch of enthusiasm to the song. The lyrics of the song are witty and humorous, with references to the cultural influence of Japan on the Indian society during the post-independence era.

“Mera Joota Hai Japani” was a commercial and critical success and became an iconic song in the history of Indian cinema. The song’s popularity helped in establishing Raj Kapoor as one of the leading actors of his time. It also established Shankar-Jaikishan as one of the most popular music composers in the Indian film industry.

Overall, “Mera Joota Hai Japani” is a timeless song that continues to be loved by music enthusiasts in India and around the world. It is a testament to the talent of the artists involved in creating it and the impact of Indian cinema on the cultural landscape of the country.

Fun fact: The shoes worn by Raj Kapoor in the song were actually made in Agra, India and were not from Japan as suggested by the song’s lyrics.

Sure, here are some additional details about the song “Mera Joota Hai Japani”:

The song’s music is a fusion of Indian and Western styles, with the use of the accordion and the guitar adding to its upbeat tempo. The lyrics of the song play on the theme of modernization and westernization in India after independence, with the phrase “Mera Joota Hai Japani” (My shoes are Japanese) being a symbol of modernity and style.

The music video of the song features Raj Kapoor wearing a checked shirt and trousers, and dancing along with children in the streets of Mumbai. The song became an instant hit among audiences and is considered a classic example of Indian film music.

In addition to its popularity, “Mera Joota Hai Japani” has also been covered by several other artists over the years, including the renowned Indian classical singer Pandit Bhimsen Joshi. The song’s popularity has also led to its use in several advertisements and films.

The success of “Mera Joota Hai Japani” helped cement the legacy of Raj Kapoor as one of the greatest actors of Indian cinema. It also helped establish the careers of Shankar-Jaikishan as leading music composers in the industry. The song’s success paved the way for many other popular Hindi film songs that combined Indian and Western musical elements.

Overall, “Mera Joota Hai Japani” is a classic example of the power of Indian film music to captivate audiences across generations. Its catchy tune, witty lyrics, and memorable music video continue to be loved by music enthusiasts around the world.

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