First, keep in mind that these three types of chords are built based of a major triad containing : root (R), major third (3) and perfect fifth (5). If you don’t what have a lot of experience or a deep knowledge of triads, please go check this Triad Chord Dictionary. Differences Between Maj9
A basic chord is built with three notes this is what we call “triad chords” or “triads”. Tetrad chords are “four note-chords” are simply chords containing four notes, “tetra“ is a Greek root meaning four. This means that tetrads are triads with an additional note which can be a major seventh (7) or a minor seventh (b7). Seventh Chords
This guitar lesson lists 25 exotic scales from different cultures and countries to add new colors to your playing. You’ll find two-octave guitar shapes, formula charts, audio files in the key of C for each scale and classified into five main categories
earning and playing scales can be an important part of any guitarist’s practice regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. Jazz Guitar Scale
Tera Yaar Hoon Main
[G] Tu jo rootha toh [C] kaun hansega
[G] Tu jo chhoota toh [C] kaun rahega
[G] Tu chup hai toh yeh [C] darr lagta hai
[G] Apna mujhko ko ab [C] kaun kahega
(G) Tu jo nazron ke saamne (Em) kal hoga nahi
Tujhko (C) dekhe bin main
(C) Mar na jaaun kahin
Roke Na Ruke Naina
Ya to bar(G)baad kar do (D)
Ya phir aa(C)baad kar do
Ya to bar(G)baad kar do (D)
Ya phir aa(C)baad kar (G)do..(C)
Aabaad Barbaad
The mixo-blues scale can be confusing because of its different names. Indeed, it can also be called Mixolydian blues scale or mixo-Dorian blues scale or even mixolydian / blues hybrid scale. Anyway the result is the same, this scale is a combination of the minor blues scale (1-b3-4-b5-5-b7)
[E]Nazrein Milte Hi Naz[A]ron Se
[E]Nazron Ko Churaye
[E]Kaisi Yeh Haya Teri [A]Jo Tu
Palkon Ko Jh[E]ukaye
[A]Rabb Jo Poshida Hai
[E]Usko Nihare Tu
[A]Aur Jo Garveeda Hai
[B]Usko Taale [E]Tu
srivalli
The Mixolydian b2 scale also called Harmonic Minor Inverse is the 5th mode of the harmonic major scale. It is sometimes referred to as Dominant b2 mode or Mixolydian b9. The interval pattern is tonic (1) – minor second (b2) – major third (3) – perfect fourth (4) – perfect fifth (5) – major sixth (6) and minor seventh (b7). Mixolydian b2 Mode
