In this lesson we will see how to harmonize the melodic minor scale in thirds with seventh chords. In other words we will see how to build seventh chords by stacking thirds from each degree of the melodic minor scale.
Hexatonic scales are made of six notes, even if you can get them from any pentatonic scale (by adding one note) or diatonic scale (by removing one note), the most popular are the blues scales (major, minor), the augmented scale, the whole-tone scale, the tritone scale and the Prometheus scale.
This guitar theory lesson covers a very important topic that any musician must know : How To Harmonize The Natural Minor Scale? In other words, you will learn how to build triads and seventh chords starting on each note of the natural (minor) scale.
First, keep in mind that these three types of chords are built based of a major triad containing : root (R), major third (3) and perfect fifth (5). If you don’t what have a lot of experience or a deep knowledge of triads, please go check this Triad Chord Dictionary. Differences Between Maj9
A basic chord is built with three notes this is what we call “triad chords” or “triads”. Tetrad chords are “four note-chords” are simply chords containing four notes, “tetra“ is a Greek root meaning four. This means that tetrads are triads with an additional note which can be a major seventh (7) or a minor seventh (b7). Seventh Chords
This guitar lesson lists 25 exotic scales from different cultures and countries to add new colors to your playing. You’ll find two-octave guitar shapes, formula charts, audio files in the key of C for each scale and classified into five main categories
earning and playing scales can be an important part of any guitarist’s practice regime. By playing scales in a variety of ways we can develop our familiarity with the fretboard beyond simply going up and down scales. Jazz Guitar Scale
Tera Yaar Hoon Main
[G] Tu jo rootha toh [C] kaun hansega
[G] Tu jo chhoota toh [C] kaun rahega
[G] Tu chup hai toh yeh [C] darr lagta hai
[G] Apna mujhko ko ab [C] kaun kahega
(G) Tu jo nazron ke saamne (Em) kal hoga nahi
Tujhko (C) dekhe bin main
(C) Mar na jaaun kahin
Roke Na Ruke Naina
Ya to bar(G)baad kar do (D)
Ya phir aa(C)baad kar do
Ya to bar(G)baad kar do (D)
Ya phir aa(C)baad kar (G)do..(C)
Aabaad Barbaad
