1 – b2 (b9) – b3 – 4 (11) – 5 – 6 (13) – b7. means Root, flat second, flat Third, perfect fourth, Fifth, Sixth, flat Seventh. he Dorian b2 scale is sometimes referred to as the Phrygian #6 scale because the formula is approximately the same as the Phrygian mode, third mode of the melodic minor scale. Indeed. You can also think of this mode as the Dorian mode with a flattened second (or flattened ninth).
The Mixolydian(b6) scale is also known as Hindu scale and belongs to the group of Indian scales. The formula is 1 -2 – 3 – 4 – 5 – b6 – b7. The Mixolydian b6 scale is generally played over a dominant chord (7b6) resolving to a tonic minor chord, G7b6 to Cm7 .
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The scale differs from the regular Lydian Mode by including a minor seventh, which is the reason for it being called “dominant” (see Dominant scales). Since it includes the minor seventh, the scale is suitable for playing over a dominant seventh chord and especially the 7(#11) chord. The Lydian b7 can be seen as the fourth mode of the Melodic Minor Scale. Lydian Dominant
The Byzantine scale is the same as the Gypsy scale and the double harmonic scale. It is also related to the Phrygian dominant scale.
Formula: 1-2-3-4-5-6-7-8(Cmaj7)
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NEAPOLITON SCALE
The Neapolitan minor scale as its name implies, is a major scale. Here is the interval formula : 1 (tonic), b2 (minor second), b3 (minor third),
FACT ABOUT JAPANESE SCALE chart and diagram Play all shapes and grow own knowledge
What is The Indian Scale?
Indian Scale are in present unique form. like Classical
only Five notes are used in Indian Scale its called Raag in
