Triad Pairs For Jazz Guitar – Theory, Tabs, Easy Exercises 2@22

major-triad-pairs-on-guitar-6th-string-E
major-triad-pairs-on-guitar-6th-string-E

Triad Pairs For Jazz Guitar

The triad pair system is a technique used by many jazz improviser to build modern improvised lines. It consists of playing two adjacent triads from a scale. The most used are from the major diatonic system, however it is possible to use triad pairs from other scales as melodic minor, harmonic minor and harmonic major. This guitar lesson with tabs, shapes and theory is focused on triad pairs from the major scale only. Jazz Guitar

What’s A Triad?

A triad is a group of three notes. These notes can be played one at a the time (arpeggio) or together (chord). They are built by stacking thirds giving five main types of triads that are : Major, minor, diminished, augmented and suspended.

A triad pair is formed with two adjacent triads (a step apart) derived from a scale. This is a way to broke up a chord into two triads. These two triads can be seen as a hexatonic scale (6 notes), they therefore have no common notes.

Most of the time these two triads have the same quality (minor + minor or major + major). However, it is possible to play different types of triads (major + minor). Jazz Guitar

Triad pairs are very useful to highlight particular tones of a chord, to bring new colors to your improvised jazz lines. They can be superimposed to any chord, this way they represent the upper-structure of chords. Jazz Guitar

Before tackling triad pairs exercises it is primordial to understand how triads are constructed on each note of the major scale and also to know the quality of each scale degrees. Jazz Guitar

There are four main types of triads that are :

  • minor (1 – b3 – 5)
  • major (1 – 3 – 5 )
  • diminished (1 – b3 – b5)
  • Augmented (1 – 3 – #5)
  • Only three types of triads are present in the major scale system, minor , major and diminished. There is no augmented triad in the major diatonic system. Triad Pairs

Each triad of the major scale is built by stacking thirds. There can be various combinations :

  • major 3rd + minor 3rd giving a major triad. Degree I, IV and V of the major scale.
  • minor 3rd + major 3rd giving a minor triad. Degree ii, iii and vi of the major scale.
  • minor 3rd + minor 3rd giving a diminished triad on the vii degree of the major scale.
  • major 3rd + major 3rd giving an augmented triad (not in the major scale)
  • You can see in the guitar tab below the three types of triads related to each scale degree and you will

notice that there are two adjacent minor triads (degrees ii and iii) and two adjacent major triads (degrees IV and V).

major-scale-in-triads-guitar-tab Triad Pairs For Jazz Guitar
major-scale-in-triads-guitar-tab Jazz Guitar

Here we will see what are the tones of each chord of the C major scale highlighted by the two adjacent minor triads of the second and third degree.

minor-triad-pairs-against-chords-of-the-major-scale
minor-triad-pairs-against-chords-of-the-major-scale Jazz Guitar

As you can notice in the guitar tab above, when playing the two adjacent minor triads (degrees ii and iii) of a diatonic scale you highlight certain chord tones:

Minor triad (Dm) of the second degree (example in C major) you get :

  • 9 11 13 of C (I)
  • 1 b3 5 of Dm (iim)
  • b7 b9 11 of Em (iiim)
  • 13 1 3 of F (IV)
  • 5 b7 9 of G (V)
  • 11 b6 1 of Am (vim)
  • b3 b5 b7 of Bdim (viidim)
  • Minor triad (Em) of the third degree :
  • 3 5 7 of C (I)
  • 9 11 13 of Dm (iim)
  • 1 b3 5 of Em (iiim)
  • 7 9 #11 of F (IV)
  • 13 1 3 of G (V)
  • 5 b7 9 of Am (viim)
  • 11 b13 1 of Bdim (viidim)
  • To resume, when playing minor triad pairs related to the 2nd and 3rd degree over:

The I chord you highlight the 9 (2) – 3 – 11 (4) – 5 – 13 (6) and 7. Related mode : Ionian
The ii chord you get the 1 – 9 (2) – b3 – 5 – 11 (4) – 13 (6). Related mode : Dorian
The iii chord you highlight the 1 – b9 – b3 – 11 – 5 – b7. Related mode : Phrygian
The IV chord you obtain the 1 – 9 (2) – 3 – 13 (6) – 7 – #11 . Related mode : Lydian
The V chord you highlight the 1 – 9 (2) – 3 – 5 – (6) 13 – b7. Related mode : Mixolydian
The vi chord you get the 1 – 9 (2) – 11 (4) – 5 – b6 (b13) – b7. Related mode : Aeolian
The vii chord you highlight the 1 – b3 – 11 (4) – b5 – b13 (b6) – b7. Related mode : Locrian

The exercise below show how to play two adjacent diatonic minor triads all over the six strings of the guitar. You must practice this in all twelve keys.

minor-triad-pairs-on-guitar
minor-triad-pairs-on-guitar Jazz Guitar

This second tab show how to play the minor triad pairs on the 6th string using the root position (1 – b3 – 5) and the two related inversions (b3 – 5 – 1 and 5 – 1 – b3).

minor-triad-pairs-on-guitar-6th-string-E
minor-triad-pairs-on-guitar-6th-string-EJazz Guitar

In the following exercise the minor triad pairs are played with bass notes on the A string.

minor-triad-pairs-on-guitar-5th-string-A
minor-triad-pairs-on-guitar-5th-string-A

Minor triad pairs with bass on the D string.

minor-triad-pairs-on-guitar-4th-string-D
minor-triad-pairs-on-guitar-4th-string-D Jazz Guitar

Minor triad pairs with bass on the third string (G).

minor-triad-pairs-on-guitar-3rd-string-G
minor-triad-pairs-on-guitar-3rd-string-G Jazz Guitar

Here are two easy examples using minor triad pairs over a major II V I sequence. The first exercise consists of playing D minor and E minor triads over the iim7 chord. This way you highlight (in order of appearance) the fifth (A) – minor third (F) – root (D) – thirteenth (B) – eleventh (G) and ninth (E) of D minor.

triad-pairs-guitar-exercise
triad-pairs-guitar-exercise Jazz Guitar

This second example show how to use the two previous adjacent minor triads over the V7 chord of the 2 5 1 sequence in order to highlight (in order of appearance) the fifth (D) – ninth (A) – minor seventh (F) – third (B) – root (G) and thirteenth (E) of G.

triad-pairs-guitar-exercise
triad-pairs-guitar-exercise Jazz Guitar

Now here are the notes brought out by the two adjacent major triads related to the fourth (IV) and fifth (V) degree of the C major scale.

major-triad-pairs-against-diatonic-chords
major-triad-pairs-against-diatonic-chords Jazz Guitar

The major triad (F) of the fourth degree brings the following chord tones :

11 13 1 of C (I)
b3 5 b7 of Dm (iim)
b9 11 b6 of Em (iiim)
1 3 5 of F (IV)
b7 9 11 of G (V)
b6 1 b3 of Am (vim)
b5 b7 b9 of Bdim (viidim)
The major triad (G) of the fifth degree highlights :

5 7 9 of C (I)
11 13 1 of Dm (ii)
b3 5 b7 of Em (iii)
9 #11 13 of F (IV)
1 3 5 of G (V)
b7 9 11 of Am (vii)
b13 1 b3 of Bdim (vii)
To resume, when you play the two triads related to the fourth and fifth degrees over :

The I chord you highlight the 1 – 9 (2) – 11 (4) – 5 – 13 (6) – 7. Related mode : Ionian
The ii chord you get the 1 – b3 – 11 (4) – 5 – 13 (6) – b7. Related mode : Dorian
The iii chord you obtain the b9 (b2) – b3 – 11 (4) – 5 – b13 (b6) – b7. Related mode : Phrygian
The IV chord you highlight the 1 – 9 (2) – 3 – #11 (#4) – 5 – 6 (13). Related mode : Lydian
The V chord you get the 1 – 9 (2) – 3 – 11 (4) – 5 – b7. Related mode : Mixolydian
The vi chord you get the 1 – 9 (2) – b3 – 11 (4) – b13 (b6) – b7. Related mode : Aeolian
The vii chord you highlight the 1 – b9 (b2) – b3 – b5 – b13 (b6) – b7. Related mode : Locrian

Here are the two adjacent diatonic major triad pairs (F and G). Root voicing (1 – 3 – 5), 1st inversion, third in the bass (3 – 5 – 1) and second inversion with the fifth in the bass (5 – 1 – 3).

major-triad-pairs-on-guitar
major-triad-pairs-on-guitar Jazz Guitar

The exercise below takes the two previous triads (root voicings and inversions) with bass on the 6th string.

major-triad-pairs-on-guitar-6th-string-E
major-triad-pairs-on-guitar-6th-string-E Jazz Guitar

The same major triads on the fifth string.

major-triad-pairs-on-guitar-5th-string-A
major-triad-pairs-on-guitar-5th-string-A Jazz Guitar

Major triads with bass notes on the fourth string.

major-triad-pairs-on-guitar-4th-string-D
major-triad-pairs-on-guitar-4th-string-D

Major triads with basses on the third string.

major-triad-pairs-on-guitar-3rd-string-G
major-triad-pairs-on-guitar-3rd-string-G

The two following tabs show how to apply the adjacent diatonic major triads over a II V I progression. The first example is to play a G and a F major triad over G7 the V7 chord. This way you highlight the fifth (D) – third (B) – root (G) – eleventh (C) – ninth (A) and minor seventh (F) of G.

major-triad-pairs-guitar-exercise
major-triad-pairs-guitar-exercise

You can see in this second exercise the two previous major triad pairs over the iim7 chord. A useful way to highlight the eleventh (G) – root (D) – thirteenth (B) – minor third (F) – minor seventh (C) and fifth (A).

major-triad-pairs-guitar-exercise
major-triad-pairs-guitar-exercise

THANK YOU

Aaj Jaane Ki Zid Na Karo Chords by Arijit Singh

Arijit Singh | Aaj Jaane Ki Zid Na Karo Chords | Best 2016

devoomusicNov 1, 20242 min read

Aaj Jaane Ki Zid Na Karo Chords by Arijit Singh About Chords Used – G, A, Em, Bm, F#m, Gm, D Singer – Arijit Singh Composed By – Fayyaz Hashmi Rights Owned By – La Cupula Music

Mon Majhi Re Chords by Arijit Singh

Arijit Singh | Mon Majhi Re Chords | Best 2013

devoomusicNov 1, 20242 min read

Mon Majhi Re Chords by Arijit Singh Movie: Boss Singer: Arijit Singh Music: Jeet Ganguly Lyricist: Prosen Language: Bangla Country: India

Die With A Smile Chords by Bruno Mars

Bruno Mars | Die With A Smile Chords | Best 2024

devoomusicNov 1, 20243 min read

Die With A Smile Chords by Bruno Mars About Released: 2024 Artists: Bruno Mars, Lady Gaga, Andrew Watt, Piano Pop TV, Dernst “D’Mile” Emile II, James Fauntleroy Album: Die With A Smile

White Teeth Teens Chords by Lorde

Lorde | White Teeth Teens Chords | Best 2013

devoomusicOct 30, 20243 min read

White Teeth Teens Chords by Lorde About Released: 2013 Artist: Lorde Album: Pure Heroine Genres: Alternative/Indie, Pop

How to Create the Best Melody Composition on Guitar

How to Create the Best Melody Composition on Guitar: An Easy Guide 2024

devoomusicOct 4, 20247 min read

To inspire creativity, challenge yourself to write a melody using all the techniques discussed. Start with a simple motif, apply repetition, and experiment… Melody Composition

Leave a Comment