On this page, you find several fretboard diagrams for the Dorian #4 scale, with box and 3 notes per string patterns. This scale is also called Lydian Minor scale.
The Dorian #4 Scale scale is made up of the Root, Major Second, Minor Third, Augmented Fourth, Perfect Fifth, Major Sixth, and Minor Seventh
The D Dorian #4 Scale scale is made up of the notes D, E, F, G#, A, B, C
The Ionian (#5) mode is Ionian augmented or major augmented is the third mode of the harmonic minor scale, this is a major scale. It has seven notes just like the Ionian mode (major scale) but with an augmented fifth instead of a perfect fifth. The formula is 1 – 2 – 3 – 4 – #5 – 6 – 7. Ionian #5
The B Locrian #6 Scale scale is made up of the notes B, C, D, E, F, G#, and A
On this page, you find several fretboard diagrams for the Locrian #6 scale, with box and 3 notes per string patterns. This mode is also known as Dorian b2 b5 mode. This scale is composed of the Root, Minor Second, Minor Third, Perfect Fourth, Diminished Fifth, Major Sixth, and Minor Seventh
The Altered Scale, sometimes referred to as Super Locrian mode, Locrian b4 or Diminished Whole-tone, is the seventh mode of the melodic minor scale. The formula is 1 (root) – b2 (minor second) – b3 (minor third) – b4 (diminished fourth) – b5 (diminished fifth) – b6 (minor sixth) and b7 (minor seventh). When played over dominant 7 chords it highlights altered notes (hence its name) as b9, #9, b5, #11 and b13. Its a Seventh mode of Melodic Minor
The Lydian #5 otherwise called Lydian increased scale is the third method of the melodic minor scope. The equation is 1 – 2 – 3 – #4 – #5 – 6 – 7. It contains an expanded fourth (#11) and an increased fifth (#5). It very well may be utilized over maj7#5, maj7#5#11, maj13#5 harmonies or some other maj7 voicings for a cutting edge sound. Lydian Augmented Scale
he formula is 1 2 b3 4 b5 b6 b7. This is a nice choice when you want to play over a half-diminished chord (m7b5) precisely in a minor II-V-I sequence. Indeed, playing the Locrian natural 2 mode in place of the Locrian mode brings a touch of modernity.Aeolian b5
1 – b2 (b9) – b3 – 4 (11) – 5 – 6 (13) – b7. means Root, flat second, flat Third, perfect fourth, Fifth, Sixth, flat Seventh. he Dorian b2 scale is sometimes referred to as the Phrygian #6 scale because the formula is approximately the same as the Phrygian mode, third mode of the melodic minor scale. Indeed. You can also think of this mode as the Dorian mode with a flattened second (or flattened ninth).
The Mixolydian(b6) scale is also known as Hindu scale and belongs to the group of Indian scales. The formula is 1 -2 – 3 – 4 – 5 – b6 – b7. The Mixolydian b6 scale is generally played over a dominant chord (7b6) resolving to a tonic minor chord, G7b6 to Cm7 .
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The scale differs from the regular Lydian Mode by including a minor seventh, which is the reason for it being called “dominant” (see Dominant scales). Since it includes the minor seventh, the scale is suitable for playing over a dominant seventh chord and especially the 7(#11) chord. The Lydian b7 can be seen as the fourth mode of the Melodic Minor Scale. Lydian Dominant
